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Buy of the day

March 12th, 2010 Beauty Guide No comments

Kate Carter recommends a little something to brighten up every day of the week. Check back each day for the next suggestion

Friday

Dress, £16, by People Tree

A very sweet piggy print dress for little girls, perfect for summer - or you could stick a long-sleeved vest and leggings underneath for less than ideal weather. It's also very reasonably priced considering it's organic, Fairtrade cotton. The animal print reversible sun hats are also a lovely summery buy.

Thursday

Set of four mugs, £40, by Cornishware

The iconic blue and white stripes of Cornishware have recently been revived after the factory was forced into administration in 2007. Three cheers for a story of triumph over adversity then, and more importantly a big thumbs up for the whole lovely range, from eggcups to pudding bowls. These mugs come in a set of four, in two different colourways.

Wednesday

Poppy print purse, £20, from Liberty

Parisian concept store Merci have teamed up with our very own Liberty for a collection of limited edition pieces. The gorgeous mini case has already been snapped up (I'm sobbing into my Liberty hanky) but you can still get your hands on plenty of other treats, including this lovely poppy print purse. The range includes everything from envelopes to a baby bib via fabulous floral print sundresses.

Tuesday

Lemon tree with pot of curd, £25 (excluding delivery), from Plants4Presents

A lovely gift for Mothers Day, this young lemon tree comes with a pot of lemon curd (and if you don't know what to do with that, Nigel Slater can help). Order quick smart to get delivery for your mum.

Monday

Hand cream, £17.95, from OP Therapy

When the press release landed on my desk, I confess to thinking "emu oil" must be some kind of plant extract. But no, it really does come from emus, who naturally secrete it under their feathers. This hand lotion is lovely, thick, non-greasy and leaves your hands smelling wonderful. Slightly biscuity, slightly vanillay: very nice. Unless you're an emu, of course.


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Buy of the day

March 5th, 2010 Beauty Guide No comments

Kate Carter recommends a little something to brighten up every day of the week. Check back each day for the next suggestion

Friday

Ring, £35, from the vandashop.com

If ever you are stuck for gift inspiration, the V&A museum shop is a wonderful place to look (online or in the flesh, as it were). Their jewellery collection is particularly fine. This piece is from a collection by the historic French jewellery design house, Cilea. I already have it in red: is it wrong to want it in lavender too?

Thursday

Fair trade washbag, £15, from notonthehightstreet.com

A handy fair trade washbag working some very Paul Smith stripes. This is made in India in a factory that supports a local orphanage. Fairtrade Fortnight is nearly over so if you haven't done your bit yet, now is your chance.

Wednesday

Organic hand sanitiser, £5.95 from greenbaby.co.uk

A very practical purchase today. Whether you fret about viruses or just like having hygienic hands (and who doesn't?), there's no need to limit this handy stuff to parents or nappy bags. Well, it is a must for the changing bag, but it's also the only hand sanitiser that isn't packed full of alarming chemicals. It's certified organic, contains no parabens and is currently on special offer, reduced from the normal price of £7.

Tuesday

Gourmet getaway lunch bag, £31.42 from formahouse.co.uk

Ditch your tupperware and give your lunch something to be proud of. This great range of lunch bags - new to the UK - will keep your lunch cool for up to fours hours (saving you that tiresome visit all the way to the office fridge). It's made of neoprene, so it's water and stain resistant, and you can machine wash it too. Great now, even better when summer finally arrives and picnic season is under way. Let's be optimistic, eh?

Monday

Frederic Fekkai Au Natural hair products, £19 each from Space NK

I'm not normally one to advocate expensive hair products - but this Frederic Fekkai range really is a bit of a miracle worker. Leaves your hair thick, soft and glossy, plus there are no synthetic fragrances, dyes or additives like parabens and suphates. The bottle is even partly made from recycled material. A little goes a long way, too, so this shampoo and conditioner really is worth a premium.


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Bafta night fashion: The long and the short of it

February 25th, 2010 Beauty Guide No comments

The red carpet at Sunday's film awards was a game of two hemlines

It was all go on Sunday afternoon in London's Covent Garden. On one side of the piazza, at the Royal Opera House, final preparations were being made for the Bafta awards ceremony while, around the corner, various London fashion week shows were taking place.

Sensibly, the British Fashion Council had teamed up with the Baftas for a ridiculously glamorous cocktail party on the first day of fashion week, to introduce actors to the designers who are showcasing their autumn/winter collections in the capital. And, whether as a direct result or not, it was pleasing to see so many British labels being championed on the Bafta red carpet on Sunday night, from heavy-hitters Stella ­McCartney and Burberry – the ­latter shows again in London this afternoon – to newer names, such as Erdem.

Naturally, there were Alexander ­McQueen tributes (pregnant Sam Taylor-Wood wore a lace number from 2007; Jaime Winstone went three years further back for an on-trend nude number), but the biggest fashion story of the night was undoubtedly ­gown-length.

Following in the stilettoes of ­Julia Roberts and Marion Cotillard, who wore knee-length styles to the Golden Globes and Screen Actors Guild awards respectively, the shorter hemline gave longer lengths a real run for their money at this year's Baftas. It is highly unlikely that this fancy for short dresses will carry over to the Oscars, where full-on floor-length always dominates. Which is a shame; as last night showed, a mix of lengths makes for a more eye-catching red-carpet experience.

Romola Garai

You've just got to love a girl with a bun. Atonement star Garai's choice of a contemporary floral-print, on-the-knee dress by Erdem was winningly classical and youthful. The designer, a favourite of both Sarah Brown and Samantha Cameron, is one of London fashion week's biggest draws – he showed his autumn/winter 2010 collection yesterday. The only problem with this outfit is the shoes: black is a bit too hefty.

Saoirse Ronan

This custom-made, white ruffled dress by Burberry is stunning. Getting the balance between teenager and grownup-going-to-a-posh-work-do is no mean feat but 16-year-old Ronan, star of The Lovely Bones, put herself in good hands with Christopher Bailey and his team. The directional belt under the bust, the shower of ruffles, and her loose hair cascading on to the top of the frock create an effect that is just lovely.

Trudie Styler

Well, well, well. Who'd have thought Styler would look this sharp – and in a zippy Victoria Beckham black number too. Beckham's neat dresses are increasingly being chosen for red carpet dos. This is a pretty short skirt choice, but the covered top and opaque tights keep a ladylike balance.

Audrey Tautou

Despite being nominated for playing Coco Chanel, Tautou chose a hot pink ruched affair by a different chic Parisian label, Lanvin. Not only is it refreshing to see a jolt of colour, but the shape is interesting – one shoulder on, one off – and the clashing red accessories are a modern addition. A slash of red lip continues this theme, and her hair looks cute and elegant.

Kristen Stewart

White Chanel couture should not be accessorised with moodiness, but that appears to be Stewart's default look. It may work in the Twilight films (Stewart won the Rising Star award), but not on the red carpet. At least she didn't slap on any bottled tan – her pale skin works with this dress – and that slightly pushed-back hair is a successful nod to the 90s revival.

Carey Mulligan

Not only did she bag the best actress gong for An Education, but her blond crop is officially the finest short haircut on a woman since Ghost-era Demi Moore. This floral dress by French label Vionnet is both pretty and directional – two notions that do not usually co-exist on the red carpet. The balance of the dress's double-length alongside the ribbon belt and fashiony YSL peep-toe heels is a triumph of modernity.

Kate Winslet

Wow. Sleek, sexy and simple, this black Stella McCartney number with its lace inserts, thigh-high split and no-fuss approach was one of the best of the night. Classy Kate also came remarkably close to stealing Mulligan's best-shade-of-blond crown, with her do that looked just the right side of ­
not-too-done-but-there-was-definitely-a-hairdresser-involved.

Kristin Scott Thomas

Even in safe black, KST looks sophisticated but with the kind of edge that only a few stars, Julianne Moore for example, ever perfect. This Louis Vuitton dress took 60 hours to craft – when you look at the bodice, embroidered with Swarowski stones, silk bows and black beads, that timeframe starts to make sense. The fur cape looks better carried like a pet, than on the shoulder.

Bonnie Wright

This neutral column dress by Prada is absolutely on the right side of boring. The Harry Potter actor is a bit English Rose, but this dress's racy plunging front and curved shoulders show she can rock a fashion look. The jewel-embellished clutch is a nice piece to pose with, plus her up do and subtle earrings keep things simple, polished and cool.

Claire Danes

This silk Burberry gown in a metallic hue slots into this season's trend for neutrals. It's the type of dress you can expect the Oscars to be rammed to the rafters with, so good work on getting in first, Miss Danes. The top half of the dress is particularly beautiful, the draping and ruching is flattering and the no-fussy-accessories approach works well.

Uma Thurman

Here's a woman who knows how to do sex bomb with class: how radiantly gorgeous did she look in her lace, custom-made Burberry? Presenting Vanessa Redgrave with her fellowship award, the 6ft-something Kill Bill actor was the epitome of old-school Hollywood glamour with this floor-length, swishing golden gown.

And as for the men . . .

Mickey Rourke

Oh Mickey, what would awards ceremonies be without you? Shiny grey suit with snooker player-style waistcoat underneath and no shirt – repeat, no shirt – all set off by his own take on a top-knot. Oh, and a priceless slapstick teleprompter moment to boot.

Robert Pattinson

What happened to Pattinson's usually amazing hair – had there been a malfunction with a pot of wax? Wild hair is a major part of the Twilight star's sex factor, so this flattened look was troubling. Best male hair of the evening was a clean sweep by Tom Ford's ensemble cast of Colin Firth, Nicholas Hoult and Matthew Goode.

Guy Pearce

A severe shaved head made the former Neighbours star barely recognisable, but he looked super-sleek in a custom-tailored Burberry tux, dress shirt and swish shoes. Pearce, who appears in The Hurt Locker, finished his look with a pair of fabulous – think modern nerd – frames, although perhaps he should have lent them to Rourke.


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London fashion week: Wild chic and plus size models

February 21st, 2010 Beauty Guide No comments

House of Holland, PPQ and Fashion East were among the designers showing their wares during day two of London fashion week


Fashion: Buy of the day

February 12th, 2010 Beauty Guide No comments

Kate Carter recommends a little something to brighten up every day of the week. Check back each day for the next suggestion

Friday


Crochet hats, £18 each, by AraVore Babies

Is it wrong to be jealous of your daughter's wardrobe? The high street delivers harem trousers, padded shoulders and hideous leggings for us, while the little ones get gorgeous vintage accessories like this. Not fair. This beanie hat is made from soft organic, fairly traded cotton. Perfect for keeping very small eco-fashionistas warm on a chilly day.

Thursday

Geranium bourbon scented candle, £30, by Miller Harris

We're feeling a little Valentined-out in the office now: one too many press releases on the formula for the duration of the perfect kiss will do that to you. But we'd be very happy to receive this for a little gift come Sunday. 'English country garden after rain' is the description, and Miller Harris scents are among the only ones we've ever found that actually deliver the goods. Not that we judge a candle by its cover, but the packaging is gorgeous too.

Wednesday


Organic cotton scarf, £14.50, by Ascension

The online ethical boutique is having a snap sale (we hope not prompted by the recent grim tidings of its financial position). Scarfs are very much the accessory du jour: it's not often you can say that fashion coincides with warmth, so snuggle up in organic cotton while you can.

Tuesday

Small frame purse, £25, by Liberty of London

Do not, under any circumstances, buy this for anyone else - that would just be too cutesy. Instead, get it for yourself, then scowl at anyone who even mentions the word Valentine. Cute print/grumpy attitude is the look you want.

Monday

Serif tote bag, $24, The Little Factory

Typography fans (and who isn't a typography fan?) will be excited by this serif tote bag by Little Factory celebrating the eponymous typeface. Perfect for all the stuff you can't cram into your handbag. Of course, if you don't buy it, you will be (ahem) sans-serif ... The company are based in Hong Kong but they do ship internationally.


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Video: Makeup guide – false eyelashes and mascara

February 7th, 2010 Beauty Guide No comments

Makeup artist Alex Byrne shows four ballet dancers the secret to applying the perfect false eyelashes. Plus: how to apply mascara


Young, fat and fabulous

January 30th, 2010 Beauty Guide No comments

Marginalised by the style world they love, big women have fought back online with fashion blogs of such popularity and influence that even the industry is starting to take notice

Hands on hips, shoulders back, head raised proudly, Christina Lewis poses for photos on her style blog. Here she is in a body-con miniskirt, with faux fur cape, and deep, vampish red lipstick. Here, again, in a tight Topshop dress, black biker jacket and ferocious, feathered collar. Then, once more, in a PVC dress, a studded waistcoat, and heavy Jil Sander shoes that look capable of breaking a breeze block with a single swing. She is tough, strong, beautiful. As cool and cutting-edge as they come.

Lewis is also a US size 24 (UK 26), and her style blog, Musings of a Fatshionista, has been building a strong following in recent months. On her site she describes herself as "fat and fancy as it gets", before writing that, "when your options are seemingly limited, how do you stand out and be as fabulous as everyone else? By not being afraid to take risks".

A 24-year-old graphic designer from Takoma Park, Maryland, Lewis began developing her sense of style while at art school in Philadelphia. Since then, she tells me, "I'm never afraid to put myself out there with what I wear. I always tell people I don't dress to look slim, I dress to look amazing!"

Lewis's site is one of a wave of new style blogs by women who are defying their marginalisation by the fashion world. So, for instance, there's Young, Fat and Fabulous, run by Gabi Gregg, a 23-year-old teacher from Michigan, who says she started it because other sites "didn't know what was going on on the streets". Bloggers in the US are also behind Fatshionable and the Manfattan Project; there are plus-size bloggers in France, Australia, Germany and Poland.

In Britain, Diane Dennis, a 34-year-old fashion designer from Birmingham, runs Fat Girls Like Nice Clothes Too. I ask whether she paused before using the word "fat" in her blog title, and she says: "No, not really. I wanted to be direct, to stick my fingers up at fashion, and say 'Yes, I am fat. So what?'"

The sites vary, but most feature photographs of favourite outfits, reviews of plus-size fashion lines, as well as images of some of the women who inspire them, such as singer Beth Ditto, and model Kelli Jean Drinkwater. Most recently, many have featured Gabourey Sidibe, star of surprise hit movie Precious, who has been transforming perceptions of beauty and body image these past few weeks, striding the red carpet in dress after couture dress.

These sites represent the point where two internet trends collide. The first is the growth of a loose collection of blogs affectionately known as the "fat-o-sphere". On sites such as the highly popular Shapely Prose, writers and readers discuss issues surrounding body image and fat acceptance (the idea that people should accept their weight, give up dieting, and commit themselves to being healthy at their current size.)

At the same time, following the enormous success of The Sartorialist blog – where Scott Schuman posts photographs of stylish people he encounters in the streets – style blogs have become more varied, and more focused. Thirteen-year-old fashion writer Tavi Gevinson has caused a sensation, and Ari Seth Cohen's Advanced Style site has been capturing "New York's most stylish and creative older folks". Style blogs are democratising fashion, offering much more diverse images than we're used to.

Fat people are perhaps the least visible group of all in fashion terms, a status that plays out in two related ways. First is the paucity of clothes available to anyone over a certain size, a source of sadness for many fat style bloggers. "I think people underestimate how difficult it is to stay current, because the options are very limited", says Gregg.

It is also a source of inspiration. Lilli Hingee, 31, who works in publishing in Melbourne, began her site, Frocks and Frou Frou, partly because "the plus-size market in Australia is really, really dreadful", and partly as a result of seeing other women struggle with what was available. Hingee is a self-described "curvy girl" – neither fat nor thin – and on her site she documents items in larger sizes available from international fashion lines. In the last months of 2009, she posted a picture of herself in a different dress each day, for a project she called "frockapalooza".

The other way in which fat women – indeed, almost all women – are marginalised, is in terms of fashion imagery, with an insistence on extremely thin, young, and generally white women in magazines and on catwalks. In the past few months there have been small signs that attitudes are changing. Last year US Glamour magazine ran an image of plus-size model Lizzie Miller, sitting naked and unperturbed by her small, soft belly, which provoked a huge response. Glamour editor Cindi Leive, was then inspired to run another photoshoot with plus-size models – again, all posed naked. This month, high fashion magazine V ran its size issue, featuring a photoshoot by fashion designer Karl Lagerfeld, which pictured burlesque star Miss Dirty Martini in an array of bras, nipple tassels and suspenders.

Both Glamour and V have also run images of plus-size models in clothes, but it's interesting to note how many shoots depict them either half or fully naked. The images seem intent on fetishising big women, depicting them as intensely sexual beings, creatures of great appetites – not an unusual theme on the internet, where fat fetishist sites abound. Kate Harding, the writer behind Shapely Prose, points out that "they put them naked, and it's supposed to be this revolution, and in fact it's just like 'Great! You objectified someone a little bigger!'"

Compare these images to those available on the mother of all fat style blogs: Fatshionista. This began as an online forum in 2004, and has since gone from strength to strength. Described as "a heady mixture of social politics, fat-girl memoir, and popular culture", it now centres around a personal blog run by Lesley Kinzel, and still includes a forum where readers discuss "plus-size clothes swaps", or where to get a sports bra.

But perhaps the site's most mesmerizing feature is its Flickr gallery, where anyone US size 14 (UK 16) and over can post photographs of themselves in their favourite outfits. So you have a stunning woman in a red dress, a tattoo spreading rapturously across her chest. There's another tattooed lady in a peacock tunic, her bright yellow sandals echoing her bright yellow hair. There's a woman in a pink and green flowered mod dress with pink tights. There are women in satin cocktail dresses with lace gloves; cartoon print tunics with cowboy boots; hotpants with a jumper and beret; in swimsuits, bikinis, and tight, tight T-shirts. Thousands of women staring defiantly at the camera, daring someone to suggest they're not gorgeous.

Clicking through these photos, you get a sense of just how easy it might actually be to change our visual culture. Dodai Stewart, deputy editor of popular women's website Jezebel, has written of her first encounter with Fatshionista that "while scrolling through the images, it was startling, at first, to see picture after picture of 'fat', plus-size, or heavy women. Not because of their bodies, or their clothes – they look fantastic – but because I just wasn't used to it".

I ask feminist and psychoanalyst Susie Orbach, author of Bodies, whether she thinks these sites could shift our cultural outlook, expand our notions of beauty. "There's no doubt that they could," she says, before explaining the way we respond to images. "How do we get from a trend for straight-legged jeans to wide jeans? At first we find the new image foreign and horrible, and then it becomes very present, and we start to feel there's something wrong with us because we don't conform to it, and we want to catch up. It's the same with body image". Because we constantly see photographs of very thin women, many of them Photoshopped, we spend our lives trying to fit that impossible ideal – a relentless, often futile quest. "If we were seeing images, not just of fat women, but of all sizes, we wouldn't be continually having to catch up in terms of our own body size," says Orbach, "so we wouldn't be wanting to change it. We might feel that we were represented, and then we could focus on other aspects of our lives".

Some claim that the sites promote obesity, that by showing stylish, proud fat women, they may encourage others to put on weight. Orbach disagrees. "I think thinness is what promotes obesity, because it promotes dieting, and dieting is one of the biggest causes of disturbed eating." Her one concern is that some of the photographs could be considered objectifying, "I'd much rather see women doing something, rather than just staring at the camera", she says. Stewart offers another take on this. "Fashion can be great," she says, "but the women we see in magazines, and on catwalks, often seem like a kind of clone army. They all look the same, and they're reduced to the status of coat hangers: the ultimate objects. Then you look at women on sites like Fatshionista, and the photographs are as much about their individual personalities as they are about the clothes. You see the style and the person combined." In fashion terms then, these women appear the ultimate subjects.

Orbach feels the sites are "trying to transform aspects of visual culture, which will be very helpful to people. I wish they were in the mainstream". Others also hope – and suspect – that this might happen. Kinzel suggests "it's inevitable that not just fat fashion blogs, but all fashion blogging, will have an impact. It's hard for fashion magazines to compete when you have amazing free blogs like The Sartorialist and Advanced Style. Fashion has always existed as a place that people look to, aspire to, and admire from afar, but never feel part of. That's changing. The sudden use of more plus-size models in fashion magazines is absolutely influenced, however vaguely, by fashion blogs that show a diversity of people".

There are certainly signs that these sites are having an affect on individual women. Ragini Nag Rao, a student from Kolkata, India, first started posting pictures of herself on Fatshionista in 2008, after struggling with her body image. "For the first time in my life," she says, "I was seeing these people who were my size, and larger, and who all looked great, and I thought 'If they can do it, why can't I?'" Nag Rao recently started her own blog, Forays in Fatshion, and when I ask whether this has improved her self-confidence, she says, "Yes, radically. It's transformed me, really".

Many of these bloggers see what they're doing as a political statement, as well as an enjoyable pursuit. "Being fat and comfortable with yourself, and calling yourself fashionable, is in itself political," says Gregg. "It runs against what the mainstream considers possible". Nag Rao agrees. "Putting pictures of myself up on the internet is my small act of fat activism. When I upload my pictures, I always tag them with the words 'obesity epidemic' and '200lbs' because this is what the obesity epidemic looks like. It's not the huge, headless fatty that you see in the newspapers. This is it."


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Lipstick follows economy into red

January 20th, 2010 Beauty Guide No comments

The fashion industry is expecting a surge in sales of cosmetics as shoppers cut back on designer clothes

While economists and bankers argue over bonuses and who was to blame for the recession, battle lines are being drawn in the cosmetics industry over a huge anticipated sales boom in lipstick.

Over the past few months, the fashion industry has been closely watching the "lipstick effect" – last seen in New York after the terrorist attacks of 11 September 2001 – when women react to uncertain times by scaling back spending on designer clothes and handbags, but splurge on cheaper luxuries. Cosmetics counters in the UK have already seen dramatic rises in lipstick sales this winter.

Now the big beauty houses are jostling to cash in on the 2010 "lipstick wars". This spring the biggest brand names will roll out major new ranges of "statement colours", competing for the coolest models and A-list celebrities to appear in their adverts as they fight for a share in the lipstick boom.

Scarlett Johansson's famous pout is painted bold berry red for a new collection by Dolce & Gabbana, while Chanel has persuaded French singer Vanessa Paradis, the partner of Johnny Depp, to be the face of its new Rouge Coco lipstick, to be launched in March.

Georgia Jagger, who has inherited her father Mick's famous lips, has coated hers in deepest red for Rimmel's spring/summer collection, while Bobbi Brown is launching a new range of lipsticks next month, including the one colour that needs more courage to wear than red – coral – along with a campaign to show women how to wear it.

"We're going very big this spring, bold and bright, as was seen at all the shows," said a Dolce & Gabbana spokeswoman. "The growth of internet videos that show women how to put on make-up is helping," added Selfridges' Niravta Patel.

"The lipstick effect has seen an uplift of an average of 12% in sales here," Patel said. Sales have surged by 20% on last year at Yves Saint Laurent and by 15% at Dior. "It's all about statement colours in key cosmetic trends for this spring, rather than what designer shoes or clothes you are wearing.

"All ages are being really adventurous with their lips and nails, and even with false eyelashes."

Some 81% of British women wear lipstick, and 13% of them reapply it more than eight times a day. But just as hemlines and heels rise and fall, lipstick has gone in and out of fashion.

The Ancient Egyptians never left home without it. Cleopatra crushed carmine beetles and Elizabeth I used beeswax and plant extracts. In 1770 parliament made lipstick illegal, ruling that women found guilty of "seducing men into matrimony by a cosmetic means" could be tried for witchcraft.

Victoria thought it "vulgar" but, in the 1920s, books of etiquette for flapper girls decreed that it was proper to apply lipstick at the table during lunch, but never at dinner.

Gwyneth Paltrow has commented that beauty "was about being comfortable in your own skin. That or a kick-ass red lipstick."

"A lipstick is a woman's best friend and can instantly add glamour to any look," said Paul Herrington, UK head of artistry for Bobbi Brown, explaining the huge sales rise which saw the firm run out of its Classic Red lipstick over Christmas. Younger people who might have settled for a lip gloss are turning to full-coloured drama on their lips, he said.

"We are now seeing the trend switch back to traditional lipstick textures. Women are choosing brighter and bolder lipstick colours, because it takes no effort but gives the maximum impact."

Sales surged after 9/11; Leonard Lauder, the chairman of Estée Lauder, called it his "lipstick index" theory, but the phenomenon was first seen during the Great Depression of the 1930s.

So, for those who feel that better times are here – the National Institute of Socio-Economic Research announced last week that the recession was over – an indicator to the contrary might just come from the mouths of women on the streets of Britain showing the colour of their lipstick.

As sassy 1930s actress and feminist Carole Lombard put it: "I've lived by a man's code designed to fit a man's world, yet at the same time I never forget that a woman's first job is to choose the right shade of lipstick."

But a note of caution: the average woman consumes between 4lb and 6lb of lipstick in her lifetime, ­somewhat nauseating given that a 2007 study found that 60% of the lipsticks on the American market contained traces of lead.


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Key fashion trends of the season: The new denim

December 30th, 2009 Beauty Guide No comments

Part one of the Observer fashion team's guide to Spring/Summer 2010 trends


How to dress: Santa’s little helper | Jess Cartner-Morley

December 19th, 2009 Beauty Guide No comments

Yes, it's Christmas, but that's no reason to let the style side down altogether, is it?

Coco Chanel and Father Christmas are never going to see eye to eye. Because however chic and twinkly and arm-in-arm-open-air-ice-skatey you make the rest of December, from about sunset on the 24th, style and Santa are in opposite corners. The cashmere gloves are off and the red felt mittens are on. Someone once said that elegance was looking in the mirror and taking off one accessory; Christmas, by contrast, is about wearing a paper hat that clashes with your dress and not bothering to wipe off the lipstick kisses you get at present-opening time. And never the twain shall meet.

Yet a lady has to have some standards, even when she's slumped in front of the telly with mince pie crumbs down her front. The key to keeping Christmas from disappearing down the style plughole is deciding which Christmas look you want to work, and sticking with it. You can do Snow Queen in Narnia Christmas, all white and sparkly (frost in the eyelashes or chandelier earrings). Or trad, cosy fireside red-and-white (angora; slipper socks with pompoms if you must). Or vampy, dressy Christmas (think Jennifer Aniston/Cameron Diaz on a doomed yet hilarious date in a holiday season-themed romcom).

Any one of the three works, but don't mix and match. It goes without saying that there is no place for restraint at the Christmas lunch table, but it pays to hold back just a little on the outfit. After all, you have to leave room for that hat.

• Jess wears: Blouse, £50, by Topshop. Trousers, £35, by Marks & Spencer. Shoes, £110, by LK Bennett. Photograph: David Newby


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